- Djoukwo Tsanetse Majolie Carine (PhD in Products Designe Session 2022,JCI, CHINA)
- Lecturer of fine arts in the architecture department : National Advanced School of Public Works.
- SSAR Journal of Arts Humanities and Social Sciences (SSARJAHSS)
Abstract:
In ancient Africa, clay was the
primary material used for crafting utensils among local populations, with
pottery thriving in various kingdoms. The diversity and quality of these
utensils served as a measure of a family’s status. However, the advent of
globalization and modernism has significantly reduced the demand for pottery in
Bamiléké territory. Moreover, the prevalence of imported metal or plastic
utensils from the West has replaced locally made pottery, signaling a
concerning trend. As specialists in this field, we believe there are strategies
to address this situation. One approach involves stimulating interest among the
local population in locally produced goods. To achieve this, we’ve embarked on
a creative journey, drawing inspiration from traditional Bamiléké culture to
design dishware objects. These designs encompass various elements, including
musical instruments, zoomorphic and anthropomorphic forms, adornments,
furniture, containers, and more, each carrying symbolic significance within the
culture. Our creative process is influenced by Reverend Father Engelberg
MVENG’s law of abstraction and synthesis. This approach involves representing
religious elements in their natural state, emphasizing essential lines,
creating decorative motifs, and interpreting them. These culturally expressive
objects offer significant advantages in combating acculturation, which
threatens the preservation of our cherished cultural heritage.
Keywords: Tableware,
traditional culture, bamileké, pottery, ceramics